Even as two storytellers work together to bring this Polish translated tale to an English reading audience, we still get a typical fantasy story.

This clash between affirming dialogue and contrasting repetition illustrates the struggle in not only seeing other perspectives, but accepting them as well. “Glue” is a good example of the intentionality Richard Siken employs in his craft.

For nonfiction, I think its easy to either be distant with information or be intimate with mindfulness.

Matt Hart’s Radiant Action is a collection on poetic segments or untitled poems. They often have creative unexpected descriptions like “fat earthquake” and “blast-site-sunlight-day,” which in some way are usually conveying a raw emotion.

This Week’s On Page 42 examines Ron Currie Jr.’s God Is Dead. This group of linked vignettes explores the human condition through the surreal worldwide acceptance of god’s death. On this text’s 42nd, we find an impressive use of setting and tone.

Tibor Fischer’s The Collector Collector creatively explores how to write within the point of view of an inanimate object. It’s 42nd page teaches us how to explore emotion with with such a point of view.

This entry explores Brave New World to find out what secrets are hidden in the files of it’s page 42.